Satoshi Kojima at Bridget Donahue Gallery

Satoshi Kojima’s pastel-colored dreamscapes feature a few enigmatic characters engaging in mysterious rituals. Here, two dapper yet sinisterly blank-eyed men either wave goodbye or set out to stop any trains that might roll into a platform that looks like a stage. (On view at Bridget Donahue Gallery on the Lower East Side through Aug 4th).

Satoshi Kojima, Last Dance, oil on canvas, 70.875 x 86.625 inches, 2016.

Hildur Asgeirsdottir Jonsson in ‘Brushless’ at Morgan Lehman Gallery

Brain scans, microorganisms and landscapes inspire Hildur Asgeirsdottir Jonsson’s woven silk textiles. In this detail from the towering, ten foot tall Dynjandi #2, Jonsson evokes the powerful force of a waterfall in her native Iceland. (At Morgan Lehman Gallery in Chelsea through July 28th).

Hildur Asgeirsdottir Jonsson, detail of Dynjandi #2, silk and dyes, 120 x 114 inches, 2017.

Alex Bradley Cohen in ‘Elaine, Let’s Get the Hell Out of Here’ at Nicelle Beauchene Gallery

Tariq’s multi-colored shirt and the explosion of lines on the wall behind him – not to mention his colorful crown – merge a man and an abstract artwork in young Chicago-based artist Alex Bradley Cohen’s painted portrait. (In ‘Elaine, Let’s Get the Hell Out of Here’ at Nicelle Beauchene Gallery through Aug 18th).

Alex Bradley Cohen, Tariq, acrylic on canvas, 44 x 40 inches, 2015.

Myranda Gillies at Susan Inglett Gallery

Two types of chilis, lemongrass and an emergency blanket are some of the unconventional materials Myranda Gillies sourced from stores in her Brooklyn neighborhood to create this loomed work at Susan Inglett Gallery in Chelsea. Granddaughter of famed assemblage artist George Herms, Gillies shares the gallery with his sculpture, inviting a comparison between two artists whose materials are something to talk about. (On view through July 28th).

Myranda Gillies, detail of Untitled (El Dorado), monofilament, cotton, lurex, chile guajillo, chile arbol, lemongrass, emergency blanket, 49 x 29 ½ inches, 2017.

David Benjamin Sherry at Salon94 Bowery

Working blind in the dark room, David Benjamin Sherry exposes cardboard templates, acetates printed with patterns, his own body and that of his dog, Wizard to light sensitive paper. The vibrantly colored results don’t bear a recognizable likeness of the artist, but they feel intensely personal nonetheless. (At Salon94 Bowery on the Lower East Side through July 27th).

David Benjamin Sherry, detail of Metamorphosis (Self-portrait with Wizard), 150C40M0Y, unique color darkroom photogram, 72.25 x 29.75 inches (image, no frame), 2017.