Spirit photographs from the 19th century and paranormal events from the more recent past have inspired Brooklyn-based photographer Laura Larson. In an image titled ‘Ecstasy,’ we’re tantalized by what might be going on behind the subject’s turned back in this strangely clinical, classroom-like environment. (At Chelsea’s Lennon, Weinberg, Inc through Sept 16th).
Pleione, the nymph in Greek mythology who protected sailors, shares a name with this 2016 canvas by Ron Gorchov. Painted on the artist’s signature saddle-stretchers to suggest ancient Greek shields, the colors of each panel range from fleshy to fiery as they reach skyward. (At Cheim & Read through August 25th).
The pyramid on the back of the U.S. dollar bill – symbolizing long lasting power – has been rendered in outlines of U.S. currency in this piece by Nari Ward (seen here in detail). The paper money edges are askew, however, suggesting an unsound structure, while cowry shells (once used as currency elsewhere in the world) create straight and sound lines. (At Lehman Maupin Gallery in Chelsea through August 25th).
Spanish photographer Dionisio Gonzelez ignites the imagination with ideas for redeveloping New York’s skyline, were money no object. Instead of envisioning skyscrapers, Gonzalez proposes connected rooftop parks and walkways that create green space for all. Here, transit routes converge near Central Park on Fifth Ave. (On the Lower East Side at Galerie Richard through August 27th).
Studio portraits and landscape photography merge in Myoung Ho Lee’s series of trees in Mongolia and Korea, set against a white canvas backdrop. Lee digitally removes ropes and assistants, suggesting a less mediated encounter with a solitary and wonderful product of nature. (At Yossi Milo Gallery in Chelsea through Aug 25th).
