Joyce McDonald in ‘AIDS at Home: Art & Everyday Activism’ at the Museum of the City of New York

Brooklyn artist and AIDS activist Joyce McDonald conveys a powerful sense of peace and acceptance in small, terra cotta sculptures currently on view in the Museum of the City of New York’s ‘AIDS at Home: Art & Everyday Activism.’ (On view through Oct 22nd on the Upper East Side).

Joyce McDonald, (at center) Trusting, terra cotta, cloth and paint, 1999.

Annie Pootoogook in ‘Akunnittinni; A Kinngait Family Portrait’ at the National Museum of the American Indian

The late Canadian Inuk artist Annie Pootoogook’s domestic scenes are sometimes tranquil, sometimes violent, but this portrait drawing of her grandmother, the artist Pitseolak Ashoona, radiates calm. (On view at the National Museum of the American Indian through Jan 8th).

Annie Pootoogook, A Portrait of Pitseolak, colored pencil and ink on paper, ’03 – ’04.

Katja Novitskova’s EARTH POTENTIAL at City Hall Park

Amsterdam and Berlin-based artist Katja Novitskova juxtaposes the celestial and terrestrial realms with large aluminum sculptures featuring images of the earth (created with compiling satellite data) paired with shots of worms, lizards, bacteria and more. With their scale altered, the earthly creatures look otherworldly; Novitskova uses this disorientation as a reminder that though easily overlooked, the smallest organisms can make a big impact. (Presented by the Public Art Fund. On view at City Hall Park through Nov 9th).

Installation view of Katja Novitskova’s EARTH POTENTIAL at City Hall Park, Sept 2017.

Tanabe Chikuunsai IV in ‘Japanese Bamboo Art’ at the Metropolitan Museum of Art

Japanese artist Tanabe Chikuunsai IV created this stunning woven bamboo sculpture on-site at the entrance to the Metropolitan Museum of Art’s current show of bamboo art from the Abbey Collection, announcing the amazing craftsmanship and inventiveness on display in this exhibition. (On view through Feb 4th).

Tanabe Chikuunsai IV, The Gate (Mon), installation view at the Metropolitan Museum of Art, July 2017.

Sascha Braunig in ‘Mutations’ on the High Line

Sascha Braunig is best known for paintings of quasi-human figures that seem to merge with a digital backgrounds, so her sculpture ‘Giantess’ on the High Line – set in a natural environment – is something of a fun surprise, begging the question of who would wear these huge, spur-bedecked heels. (On view through March 2018 near 24th/25th Street).

Sascha Braunig, Giantess, nickel-plated bronze, 23 x 15 x 10 inches, 2017.