Anna Conway at Fergus McCaffrey Gallery

Anna Conway’s surreal landscapes and tense interior scenes often feature working men whose importance is questionable.  Here, in an oil painting from 2004 featured in her current solo show at Fergus McCaffrey Gallery in Chelsea, four men in uniform lie flat on sandy soil to reach into a man-made pool.  Their tiny figures, echoed in the forms of spindly trees above them, appear ill-equipped to correct whatever problem lurks below.  Titled ‘Pound of Cure,’ the piece presents the unpleasant consequences of someone’s lack of foresight.  (On view through Dec 23rd).

Anna Conway, Pound of Cure, oil on panel, 44 x 60 inches, 2004.

Tomm El-Saieh at Luhring Augustine

Born in Haiti and raised in Miami, Tomm El-Saieh’s relationship with the country of his birth continues to inspire his abstract paintings, now on view at Chelsea’s Luhring Augustine Gallery.  Haitian spiritual practice as well as the traditions of international abstraction inform El-Saieh’s fields of color and subtle geometric patterns that bloom over the canvases.  (On view through Dec 22nd).

Tomm El-Saieh, Boule, acrylic on canvas, 96 x 72 inches, 2021.

Olga de Amaral at Lisson Gallery

‘For me, gold is the sun,’ explains octogenarian Columbian artist Olga de Amaral as she describes the importance and stunning impact of the material in her textiles.  Hanging assemblages of gold-covered linen positioned near the door of Chelsea’s Lisson Gallery catch the natural light and resemble ancient carved stones; further in the gallery, this piece adds palladium, another metal that reflects light and adds to the luxurious quality of this labor-intensive artwork.  (On view in Chelsea through Dec 18th.  Masks and proof of vaccination required.)

Olga de Amaral, Memorias 6, linen, gesso, acrylic, gold leaf and palladium, 78 5/8 x 74 ¾ inches, 2014.

 

Radcliffe Bailey at Jack Shainman Gallery

Constructed from reclaimed wooden beams from a shipyard in Istanbul, Atlanta-based artist Radcliffe Bailey’s ‘Nommo’ suggests both boat and stage.  Now on view in Bailey’s solo show at Jack Shainman Gallery, the piece was originally commissioned for the 2019 Istanbul Biennial and situated on the site of an earlier performance by Sun Ra, a musician whose real and imagined travels inspired Bailey.  For the artist, the repeated character represented in series of plaster busts represents the ‘spirituality of people and their practices.’  (On view through Dec 18th. Masks required.)

Radcliffe Bailey, Nommo, mixed media and sound installation including a radio, found wood, steel metal structure and 8 plaster busts, approx. 10H’ x 21L’ x 13D,’ 2019.

 

 

Paulina Olowska at Metro Pictures Gallery

For the last exhibition of its forty-year history, Helene Winer’s and Janelle Reiring’s legendary Metro Pictures Gallery is showcasing new work by Polish artist Paulia Olowska that celebrates exhibition and educational spaces run by women.  This large painting checks in with Seurat’s 1880s scene of Paris leisure, La Grande Jatte, while having been directly inspired by a photo by fashion photographer Deborah Tuberville.  Harnessing imagery meant to encourage consumption, Olowska sells the idea of new creative communities while aiming to increase representation of women in art history.  (On view through Dec 11th in Chelsea.  Masks required).

Paulina Olowska, The School of Archery (after Deborah Tuberville), oil on canvas, 102 3/8 x 82 11/16 inches, 2021.