Lucy Puls at Nicelle Beauchene Gallery

by Merrily KerrDon't Miss, Features & Commissions, Hottest ShowPosted on Comments are Disabled

Bay Area artist Lucy Puls has returned over the course of her decades-long career to the question of what society values and what it discards.  Her photos of bank-owned homes, printed on huge sheets of fabric-like paper and hung high on the walls of Nicelle Beauchene Gallery feature images of places once personally meaningful and now neglected. Weighed down by discarded household items, in this case a metal folding chair, images and objects speak to the passing of time, to change and moving on.  (On view in Tribeca through Jan 22nd).

Lucy Puls, Delapsus (Bedroom, Mirrored Closet Door, Mini Blinds, Movie Poster), pigment ink on paper, floor standing lamp, metal folding chair, DVD movie, stickers, reflective glass beads, binder, steel hardware, 130 h x 85 w x 84 d inches, 2021.

Alexander Guy at Harper’s Gallery

by Merrily KerrDon't Miss, Features & Commissions, Hottest ShowPosted on Comments are Disabled

Scottish painter Alexander Guy made a hit on the ‘80s London art scene with his deadpan paintings, which ranged in subject from everyday objects to celebrity images.  In a career revival, Guy is now making his New York gallery debut at Harper’s Gallery in Chelsea with oil paintings showing an abundance of processed food, including a freezer stuffed with ice cream and pizza and a carefully arranged array of pink-colored foods from Tesco supermarket.  Here, a transatlantic in-flight meal overwhelms with its number of dishes and suggests that more is not necessarily more.  (On view through Jan 15th. Masks, social distancing and proof of vaccination required.)

Alexander Guy, GLA -> JFK (In flight meal), oil on canvas, 68h x 72.25w, 2021.

Suellen Rocca at Matthew Marks Gallery

by Merrily KerrDon't Miss, Features & Commissions, Hottest ShowPosted on Comments are Disabled

Suellen Rocca, a founding member of the short-lived but hugely influential group of Chicago artists known as ‘Hairy Who,’ adopted imagery from magazine ads, Sears Roebucks catalogues and other American pop culture sources, but her late-career work took on more personal meanings.  Several pieces in Matthew Marks Gallery’s exhibition of the late artist’s work in Chelsea include imagery relating to fish, which came to Rocca in a dream.  Fish seem to nurse like babies, breasts morph into fish and, in this painting, fish adorn the body of a deity-like multi-armed figure, picturing female power in terms of feeding, nurture and life.  (On view through Jan 29th.  Masks, social distancing and proof of vaccination required.)

Suellen Rocca, Departure, oil on canvas, 30 x 30 inches, 2012.

Cinga Samson at Flag Art Foundation

by Merrily KerrDon't Miss, Features & Commissions, Hottest ShowPosted on Comments are Disabled

South African artist Cinga Samson complicates the act of looking in paintings that are challenging to see. The muted palettes and crepuscular lighting of his individual portraits and figure groups not only disguise his subjects, but aim to create a sense of having intruded on a private scene.  Samson’s recent body of work, on view at Flag Art Foundation in Chelsea, features young men like this figure, whose remarkable eyes disrupt easy engagement and suggest moments of looking inward.  Each painting is a meditation on mortality, the flower in this piece acting as a symbol of transience.  (On view through Jan 15th.   Masks, social distancing and proof of vaccination required).

Cinga Samson, Nontshonshi 1, oil on canvas, 18 x 13 ¾ x 1 inches, 2021.

Brie Ruais at Albertz Benda Gallery

by Merrily KerrDon't Miss, Features & Commissions, Hottest ShowPosted on Comments are Disabled

Brie Ruais’s signature approach to art involves manipulating a 130 lb pile (equivalent to the artist’s weight) of clay into flat rings of ceramic sculpture textured with finger and footprints.  Here, she varies her usual circular form with this knot-shaped piece in her current show at Albertz Benda Gallery.  The artist has called her work ‘Earth Art that takes place in the studio;’ in this sculpture, the relationship between the body and landscape speaks to interconnectedness.  (On view in Chelsea through Jan 22nd.)

Brie Ruais, Intertwining, 130lbs times two (Thief Knot), glazed and pigmented stoneware, hardware, 62 x 124 x 6 inches, 2021.