Iconic ceramic artist Ken Price launched this series of monumental bronze composite sculptures late in his life, bringing a career of innovation to a close with suggestive, almost glowing forms. (At Chelsea’s Matthew Marks Gallery through June 28th).
Ken Price, installation view of ‘Large Sculptures’ at Matthew Marks Gallery, in the foreground: ‘Ceejay,’ painted bronze composite, 48 x 48 3/8 x 46 inches, 2011.
Bizarre scenarios like this exchange of processed meat in young Canadian photographer Elaine Stocki’s hand-colored silver gelatin prints make for captivating and strange images that run the gamut from obviously staged to apparently documentary. (At Chelsea’s Thomas Erben Gallery through June 28th).
Elaine Stocki, Meat Meet, hand-tinted silver gelatin print, 29.5 x 37.75 inches, 2013.
David Scanavino’s vibrantly colored institutional floor tiles, Michael DeLucia’s tire images, carved out of MDF by a computer-controlled router, and David Kennedy Cutler’s elongated arm, created with pictures of a real hand, bring together images generated in the computer and realized in three dimensions. (At Chelsea’s Derek Eller Gallery through June 28th).
David Kennedy Cutler, Michael DeLucia, David Scanavino, To Be Titled, plywood and high pressure laminate, injet on cotton sateen and aluminum, tree branch, wood, spray paint, permalac, VCT tile, floor wax, MDF, glue, 2014.
Tara Donovan does it again with two new sculptures at Chelsea’s Pace Gallery created in her signature style – multiplying an everyday object by millions to create a wondrous installation. Here, index cards suggest fairy chimneys or termite mounds to astonishing effect. (Through June 28th).
Tara Donovan, Untitled, styrene index cards, metal, wood, paint and glue, 12’ 5 1/2” x 22’ 4” x 22’ 11 1/2”, 2014.
Brooklyn-based artist Jayson Musson’s tongue-in-cheek recreation of ‘modern’ art from the comic strip Nancy for his show at Salon94 on the Lower East Side is perfectly timed to recent market interest in abstract painting. Playfully forcing the question of how we create value in art, the show amuses and provokes in equal measure. (Through June 20th).
Jayson Musson, installation view of ‘Exhibit of Abstract Art,’ Salon94 Bowery, May 2014.