An imaginary cabaret group spreads the word about the dangers of climate change as advertised by this wall of faux event posters by artist duo Kahn and Selesnick. Known for photographing outlandish scenarios, their imagination runs riot in this jam-packed show. (At Chelsea’s Yancey Richardson Gallery through July 3rd).
Kahn & Selesnick, installation view of ‘Truppe Fledermaus & the Carnival at the end of the World,’ Flashe and tempura paint on canvas and on paper, printed posters.
A mirror buried in a tangle of orange-blossomed plants turns this lush landscape by Arkansas-based artist and musician Stephanie Pierce into an enigmatic self-portrait. (At Steven Harvey Fine Art Projects on the Lower East Side through June 29th).
Stephanie Pierce, Cosmos, oil on canvas, 2013.
When Alabama-based artist Pinky M M Bass’s sister was suffering from cancer, the artist started stitching internal organs on photos as a means of processing what was going on insider her sister’s body. Here, foods hover around the shoulders of this figure, waiting to make their way into the digestive tract. (On view at Chelsea’s Robert Mann Gallery through August 15th.)
Pinky MM Bass, Contemplating My Internal Organs, 1999-2006, embroidery on gelatin silver print, with platinum hanging hardware and Plexiglas.
Shredded and twisted fabric create the bark on a 60-foot tall tree by renowned street artist Swoon that fills the Brooklyn Museum’s fifth floor rotunda. The tree anchors a stunning installation that features huge portraits of the artist’s friends and family along with rag-tag boats that once plied the waters in New York and Venice. (On view through August 24th).
Swoon, installation view of ‘Submerged Motherlands,’ at the Brooklyn Museum of Art, April – August, 2014.
Hiroshi Sugimoto’s photographs of natural history dioramas – ongoing since the 70s – challenge viewers to find the line between real and represented. They also point out how the museum’s role in displaying these animals has changed in the face of habitat loss and endangerment. (On view at Pace Gallery through June 28th).
Hiroshi Sugimoto, Polar Bear, gelatin silver print, 47 x 58 3/4”, 1976.
