Michael Heizer at Gagosian Gallery

Believe it or not, Michael Heizer’s ‘Potato Chip’ sculpture is not the heaviest sculpture in Chelsea right now (Richard Serra’s ‘Equal’ at David Zwirner Gallery has it beat), though at 18 tons, it may be the most incongruously titled. Still, it makes a hefty impact as visitors take the measure of the artwork with their own bodies. (At Gagosian Gallery’s 24th Street space through July 2nd).

Michael Heizer, Potato Chip, 18-ton granite rock in steel frame, 172 x 106 ¾ x 92 inches, 2015.

Beverly Buchanan at Andrew Edlin Gallery

Known for constructing mini-models of everyday architecture from the southern United States, Beverly Buchanan captures the look and feel of a place in scraps of wood, metal and plastic. (At Chelsea’s Andrew Edlin Gallery through June 13th).

Beverly Buchanan, Sculpture House, wood, copper, acrylic and plastic, 14.75 x 18 x 16 inches, 2012.

Jessica Jackson Hutchins at Marianne Boesky Gallery

Jessica Jackson Hutchins’ newspaper-covered sofa scattered with rough ceramic forms was a standout of the 2008 Whitney Biennial. Here, her first show at Chelsea’s Marianne Boesky Gallery opens with another couch more boldly occupied by a huge ceramic shape that the Portland, OR based artist refers to as a whale. (On view through June 6th).

Jessica Jackson Hutchins, installation view of ‘I Do Choose,’ with ‘Ultrasuede Wave,’ in foreground, sofa, oil stick, glazed ceramic, 2015.

Matthew Jensen at Yancey Richardson Gallery

Artists don’t make road trips like they used to…Brooklyn-based photographer Matthew Jensen left his car parked and instead turned to Google Street View to make this 2009 piece in which he chose an image from each state (apart from Hawaii, which had not yet been mapped). The artists states, ‘The sun used to be the only thing to touch the entire earth and now Google does as well.’ (At Chelsea’s Yancey Richardson Gallery through June 20th.)

Matthew Jensen, The 49 States, 49 chromogenic prints, each 16 x 16 inches, 2009.

Leidy Churchman at Murray Guy Gallery

New York artist Leidy Churchman considers what it means to be above it all, replicating a promotional picture for 432 Park Ave, the hemisphere’s tallest residential building (for now). Known for more its exclusivity than its architectural merit, Churchman turns the tower’s top floors into a glowing Olympian retreat. (At Chelsea’s Murray Guy through June 6th).

Leidy Churchman, Tallest Residential Tower in the Western Hemisphere, oil on linen, 72 x 60 inches, 2015.