With almost no warning save for a humming sound and a sudden gust of air, Mississippi tenant farmer Ed Bush witnessed a meteorite plough into the earth one day in 1922, a terrifying and sudden event which Lorna Simpson recounts in 3-D lettering on the wall of her solo show at Hauser & Wirth Gallery. Nearby, painted and silkscreened fiberglass panels picture a surface pockmarked with bullet holes, another allusion to violence that can descend unexpectedly and without reason. In the main gallery, a series of 12-foot-tall canvases feature huge, meteor-like rocks that appear to hover in space, perhaps arrested in their descent but still exuding destructive potential that has, at least momentarily, been averted. (On view in Chelsea through Jan 11th. Note that gallery hours change during the holiday period).
The Hall Sisters in ‘My Way: Gee’s Bend Today’ at Nicelle Beauchene Gallery
Lively, colorful, and modern in their geometry, the quilts in Nicelle Beauchene Gallery’s group show of textiles from Gee’s Bend quilters are a standout in the Tribeca galleries. ‘My Way: Gee’s Bend Today’ is the third in a three-part series at the gallery featuring work by the legendary makers of Gee’s Bend, a Black community in Boykin, Alabama. The present exhibition showcases work by 14 artists creating ‘My Way’ quilts, pieces that favor free expression over strict adherence to a pattern. (On view through Jan 4th. Note that gallery hours change during the holiday period).
Irwin/Bell: The ‘60s at 125 Newbury
Though based in Los Angeles, the mid-century Light and Space movement is well represented in New York galleries, a happy circumstance aided by Pace Gallery’s long-term relationships with key artists. ‘Irwin/Bell: The ‘60s’ at Pace’s Tribeca offshoot, ‘125 Newbury,’ presents work by Larry Bell and Robert Irwin that revisits their early shows in New York, including the premier of Irwin’s aluminum disc paintings in 1968. Installed in a back gallery with a bench inviting visitors to sit and contemplate, this untitled piece from 1967 presents a circular aluminum form that exists materially but appears to be composed entirely of light and shadow. (On view in Tribeca through Jan 11th).
Tong Yang-Tze at the Metropolitan Museum of Art
Amid the holiday throngs in the Met Museum’s Great Hall, renowned Taipei-based artist Tong Yang-Tze’s monumental calligraphic installation stands out for its stark clarity and gracefully energetic form. Two canvases present phrases that encourage self-reflection and engagement with the new. Here, the saying ‘Stones from other mountains can refine our jade’ derives from a 3,000-year-old classical Chinese text originally intended to encourage an embrace of talent from another country. (On view through April 8th, 2025).
Ian Davenport at Kasmin Gallery
It’s always a pleasure to encounter British abstract painter Ian Davenport’s colorful cascades of paint, artworks that result from pouring vividly colored acrylic paint down an aluminum surface. In new work at Chelsea’s Kasmin Gallery, vertical lines give way to a looser order toward the bottom of each painting, or here, on a panel placed on the floor below. Intending to evoke natural forces including air currents and tides while pointing to the colors of Renaissance paintings by artists including Fra Angelico and Caravaggio, the paintings offer both formal and optical enjoyment. (On view in Chelsea through Dec 20th).