Vija Celmins at Matthew Marks Gallery

One stone is real, the other is a replica. Vija Celmins entices viewers to ponder which one came from the earth and which from the artist’s hand in this pairing at Matthew Marks Gallery’s 22nd Street space in Chelsea. In other works, Celmins turns her hand to the skies and the seas with meticulous realist paintings that celebrate the creative powers of the artist. (On view through April 15th).

Vija Celmins, Two Stones, one found stone and one made stone: bronze and alkyd oil, 2 ¼ x 8 x 5 ½ inches, 1977/2014-16.

Matt Johnson at 303 Gallery

The text on this box – ‘Enjoy your delicious moments!’ – is supposed to be an encouragement to appreciate pizza, but it’s also a good way to describe the feeling of realizing that this realistic food box is actually a meticulously crafted, hand painted wooden sculpture by trompe l’oeil master Matt Johnson. (At 303 Gallery in Chelsea through Feb 25th).

Matt Johnson, Untitled (Small Pizza Box), carved wood and paint, 17 ½ x 14 ½ x 7 inches, 2016.
Matt Johnson, Untitled (Small Pizza Box), carved wood and paint, 17 ½ x 14 ½ x 7 inches, 2016.

Nolan Simon at 47 Canal

Pulling source images from the web, young Brooklyn artist Nolan Simon copies them to canvas, framing each one with painted, trompe l’oeil masking tape like an analogue version of open windows on a computer screen. While the technique doesn’t radically update collage, Simon has an eye for intriguingly odd juxtapositions. (At 47 Canal on the Lower East Side through Feb 15th).

Nolan Simon, Commonwealth, oil and acrylic on canvas, 48 x 36 inches.

Roxy Paine at Marianne Boesky Gallery

A room eighty feet long is condensed into 18 feet in Roxy Paine’s latest uncanny scene from his Diorama series – an airport security checkpoint crafted entirely in maple wood, devoid of humans and presented for contemplation. (At Chelsea’s Marianne Boesky Gallery through October 18th).

Roxy Paine, Checkpoint, maple, aluminum, fluorescent light bulbs, and acrylic prismatic light diffusers, 14 ‘ h x 26’ – 11” w x 18’ – 7 1/2” d, 2014.

Kristen Morgin at Zach Feuer Gallery

Once loved, now up on blocks, this childhood relic looks like it’s headed for the dump if it doesn’t disintegrate first. However, like the rest of the work in this unassuming exhibition by LA-based sculptor Kristin Morgin, it’s an eye-teasing triumph made entirely of unfired clay. (At Chelsea’s Zach Feuer Gallery through May 3rd).

Kristen Morgin, Madonna with Tricycle, unfired clay, paint, ink, wood, wire, 20 x 16 x 28 inches, 2013.