Thomas Schutte in ‘Sculpture’ at Skarstedt Gallery

Part of a series of reclining nudes that recall iconic artworks from Manet’s Olympia to Henry Moore’s posed figures, Thomas Schutte’s female figure appears to have been pressed down, as if made of clay and not steel. She is defined by compromise – the antithesis of the classical norm. (At Skarstedt Gallery through Dec 19th).

 Thomas Schutte, Stahlfrau Nr. 4, cast steel on steel table, 13 ¾ x 86 ½ x 47 ½ inches, 1999.

Roman Stanczak at Bureau Gallery

‘My sculptures speak of life…among spirits,’ says Warsaw-based sculptor Roman Stanczak, whose carefully destroyed bedside table at LES Bureau Gallery suggests a particularly haunted mental state. (Through Oct 25th).

Roman Stanczak, From 2nd to 3rd, wooden cupboard, wood chips, 22.75 x 38 x 39.25 inches, 2015.

Entang Wiharso at Marc Straus

As far as family portraits go, this one is by far one of the strangest I’ve seen, as a matron with a knife in her hair touches a carp’s tongue and father stands by cradling a skull while two boys look on. Wiharso has explained that in his work, tables are meant as meeting places and sites for negotiation; as such, this family has a lot to work through. (At Marc Straus on the Lower East Side through Feb 8th).

Entang Wiharso, Inheritance, graphite, resin, color pigment, thread, steel, life-size installation, 2014.

Sarah Braman in ‘Zabriskie Point’ at Jack Hanley Gallery

Man-made objects and nature come together in surprising ways in this sculpture by New York artist Sarah Braman, as a cube recalling modernist architecture perches atop a massive tree stump (nature sacrificed?). A table and houseplant complete this pretty assemblage which points to the domestic realm as a place where nature is potted for pleasure and convenience. (At Jack Hanley Gallery on the Lower East Side through Feb 8th).

Sarah Braman, Underthunk, welded steel, color gels, glass, tree stump, house plant, aluminum, 65 x 35 x 70in, 2014.