Sascha Braunig is best known for paintings of quasi-human figures that seem to merge with a digital backgrounds, so her sculpture ‘Giantess’ on the High Line – set in a natural environment – is something of a fun surprise, begging the question of who would wear these huge, spur-bedecked heels. (On view through March 2018 near 24th/25th Street).
Dale Chihuly’s large-scale glass sculptures are a dramatic addition to the New York Botanical Garden’s lush grounds this summer. Here, crystal shapes cast from polyurethane resin complement the patinated bronze ‘Fountain of Life’ sculpture, creating a bold contrast between old and new that complements both. (On view through Oct 29th).
Gillian Wearing’s now classic video of herself dancing uninhibitedly in a London shopping arcade in 1994 – causing discomfort with the idea of turning public into private space – is precedent setting in the International Center of Photography’s group show ‘Public, Private, Secret,’ which considers how identity is created both openly and in secret. (Through Jan 8, 2017).
Thirsty visitors to Chelsea’s High Line park will want to keep walking past New York artist Josh Kline’s contribution to the outdoor public sculpture show ‘Archeo.’ In this industrial fridge under the Standard Hotel, Kline presents a selection of drink containers labeled with ingredients that might turn you into a label checker. They include: ‘minimum wage,’ French fries, Mr Clean, K-Y jelly and fake plant. Takers?
Installation view of ‘Skittles’ by Josh Kline in ‘Archeo’ on the High Line, New York City.
