Casey Ruble at Foley Gallery

Casey Ruble’s meticulous cut paper images of former safe houses on the Underground Railway and locations of Civil Rights era riots confer a potent stillness on historical scenes that are fading from memory, largely unmarked by signage or physical markers. Here, she focuses on the epicenter of the 1967 Newark riot, where police mistreatment of an African American cab driver sparked a devastating protest. (At Foley Gallery on the Lower East Side through March 20th).

Casey Ruble, Music.  Even laughter.  And always the gunfire.  Paper collage, 8.5 x 6 inches, 2015.
Casey Ruble, Music. Even laughter. And always the gunfire. Paper collage, 8.5 x 6 inches, 2015.

Clement Siatous at Simon Preston Gallery

In 1973, the British government handed over the Chagos Islands to the US to use for military operations, claiming that they were uninhabited. Island resident Clement Siatous paints evidence to the contrary in a series of palpably wistful paintings inspired by memories from his childhood. Here, the Nordver removes citizens of Diego Garcia, leaving behind homes, animals and a cultural heritage. (At Simon Preston Gallery on the Lower East Side through Oct 18th. More info at http://newatlantisproject.com/)

Clement Siatous, Dernier Voyage des Chagossiens a bord du Nordvar anrade Diego Garcia, en 1973, acrylic on linen, 26 x 45.75 inches, 2006.

Erik van Lieshout at Anton Kern Gallery

Dutch artist Erik Van Lieshout recreates newspaper protests of demonstrations between Dutch-nationalists and Muslim factions in Holland in vinyl and charcoal at Anton Kern Gallery. A provocateur who The Guardian recently called ‘The Ali G of Art’ for his disregard for social convention, Van Lieshout’s drawings impressively channel the aggression and adrenaline of street confrontation. (In Chelsea through Feb 28th).

Erik Van Lieshout, Untitled, charcoal, acrylic and vinyl on paper, 59 1/8 x 107 7/8 inches, 2014.

Ai Wei Wei at Brooklyn Museum

In response to the disastrous 2008 Sichuan earthquake that killed thousands of school children in their shoddily constructed schools, Chinese artist Ai Wei Wei constructed this snake of backpacks as a memorial. Below, a pile of porcelain river crabs indirectly stands in for censorship and recalls a huge feast of crab initiated by Ai Wei Wei as a protest against limitations on free speech. (At the Brooklyn Museum through August 10th).

Ai Wei Wei, Snake Ceiling, backpacks, 2009. He Xie, 3,200 porcelain crabs, 2010.