Titled ‘Hereafter,’ LA-based artist Matthias Merkel Hess’s first New York solo show features a roomful of beautiful, handmade, ceramic objects that replicate everyday items…ones you might choose to be entombed with if you were buried in the ancient Egyptian manner. (At Salon 94 Freemans on the Lower East Side through August 9th).
Matthias Merkel Hess, installation view of ‘Hereafter’ at Salon 94, June 2013.
Kristin Jensen’s ‘Vase Faces,’ are inanimate objects that appear to come to life, but the effect is more humorous homeyness than horror. Ghostly but not spooky, chubby-cheeked visages seem to emerge and disappear on these simple vessels to charming effect. (At Nichelle Beauchene Gallery on the Lower East Side through June 9th).
Kristin Jensen, ‘Face Vases 1-4, with Prologue,’ porcelain with celadon glaze, 2013.
“I think that’s amazing, what people can do with the hands. It’s the same, and still they make it new,” says LA-based ceramic artist Shio Kusaka, regarding the tradition of ceramic making. No two of her vessels are alike, a point proved by 127 porcelain stoneware pots on show at Chelsea’s Anton Kern Gallery. (Through June 22nd.)
Shio Kusaka, installation view at Anton Kern Gallery, May 2013.
One thousand hand-painted, porcelain sunflower seeds made in Jingdezhen, China are on offer at Carolina Nitsch as part of a show of work (80s NYC photos and Qing Dynasty chairs) by dissident Chinese artist Ai Weiwei. Once a metaphor for the Chinese populace following their leadership as the sunflower follows the sun, these remnants of Weiwei’s five ton installation at Tate Modern suggest that it’s the artist who is followed so closely as his popularity continues to rise. (At Carolina Nitsch through Nov 3rd.)