Tag: nicelle beauchene

Richard Bosman at Nicelle Beauchene Gallery

No one falls off a cliff or screams into the rain in Richard Bosman’s paintings at Nicelle Beauchene Gallery, a departure from the artist’s signature film noir subject matter.  Instead, a selection of Bosman’s work from the past thirteen years pays homage to icons of European/U.S. art history in the form of a painting on wood recreating Van Gogh’s palette and a view of mid-20th century abstract artist Barnett Newman’s studio.  The show’s highlight and biggest work is a 2015 installation titled ‘Museum Wall,’ a selection of paintings mimicking a Frieda Kahlo portrait, James Ensor’s masked characters, Van Gogh’s sunflowers and more.  Painted as if in elaborate frames, each canvas is pinned directly to a grey-painted wall like a poster, an homage to influential artists that also comments on the easy consumption of art. (On view in Tribeca through July 29th).

Richard Bosman, Museum Wall, oil on canvas, dimensions variable, 2015.

Jonathan Baldock at Nicelle Beauchene Gallery

Describing his new stoneware vessels at Nicelle Beauchene Gallery as ‘imperfect reliquaries,’ London-based artist Jonathan Baldock imprints the cylindrical forms with evidence of his own hand and adds cast body parts and funereal herbs.  In additional sewn works, 3-D heads emerge from flat felt and hessian textile backgrounds, staging a miraculous entrance from the picture into real space.  Likewise, the uncanny ceramic forms suggest an unknowable quality to the human body and its manifestations.  (On view in Tribeca through April 2nd).

Jonathan Baldock, Scuffle, stoneware and glaze filled with rosemary, 22 x 14 x 13 inches, 2022.

Lucy Puls at Nicelle Beauchene Gallery

Bay Area artist Lucy Puls has returned over the course of her decades-long career to the question of what society values and what it discards.  Her photos of bank-owned homes, printed on huge sheets of fabric-like paper and hung high on the walls of Nicelle Beauchene Gallery feature images of places once personally meaningful and now neglected. Weighed down by discarded household items, in this case a metal folding chair, images and objects speak to the passing of time, to change and moving on.  (On view in Tribeca through Jan 22nd).

Lucy Puls, Delapsus (Bedroom, Mirrored Closet Door, Mini Blinds, Movie Poster), pigment ink on paper, floor standing lamp, metal folding chair, DVD movie, stickers, reflective glass beads, binder, steel hardware, 130 h x 85 w x 84 d inches, 2021.

Ruby Sky Stiler at Nicelle Beauchene Gallery

Portraiture is about decoding the identity of a sitter and the relationship between sitter and artist.  Ruby Sky Stiler’s figure group at the entrance to her current solo show at Nicelle Beauchene Gallery flummoxes familiar, easy-to-read relationships as it positions a petite, female artist as the active member of this assembly.  Pared down to silhouettes of spare geometric forms, including a single circular shape that identifies the artist as a woman, the nude figures recall yet crucially differ from Cezanne’s, Renoir’s or Matisse’s bathers and myriad scenes of male artists in their studios with nude female subjects.  (On view in Tribeca through Oct 30th.  Masks required.)

Ruby Sky Stiler, Blue Bathers, Baltic birch plywood, paint and hardware, 78 x 155 x 3 inches, 2021.

Alice Tippit at Nicelle Beauchene Gallery

Judging by this standout painting from her current show at Nicelle Beauchene’s new Tribeca space, it comes as no surprise that painter Alice Tippit has cited Magritte as her ‘all-time favorite’ artist to come back to for his ‘sense of mystery.’  Though ‘Stall’ suggests a recognizable scenario – the mind wandering to happy places or at rest – its graphic, streamlined style embodies enigma.  (On view at 7 Franklin Place through Jan 16th. Masks and social distancing are required.)

Alice Tippit, Stall, 21 x 17 inches, oil on canvas, 2020.