Jim Shaw at Metro Pictures

The perfectly coiffed blond hair of the model in this surreal painting by Jim Shaw is not only coming from her head but powering her whole being as she emerges from a mass of curls like a genie materializes from smoke. Now on view at Chelsea’s Metro Pictures Gallery, the painting is part of Shaw’s bizarre but powerfully intriguing merger of advertising imagery and storytelling. (On view through Dec 22nd).

Jim Shaw, The Ties that Bind, acrylic on muslin, 56 x 48 inches, 2017.

Trevor Paglen at Metro Pictures

Photographer Trevor Paglen’s past images of surveillance culture (NSA data centers, drone images) zeroed in on info and images gathered by the authorities. For his latest show at Metro Pictures, Paglen turns his attention to pictures analyzed via artificial intelligence. In this detail of a wall of photos, the artist Hito Steyerl posed for hundreds of portraits that were analyzed by facial-analysis algorithms, turning age, emotional state, gender and more into a set of numbers.  (On view in Chelsea through Oct 21st).

Trevor Paglen, Machine Readable Hito, adhesive wall material, 193 x 55 1/8 inches, 2017.

Robert Longo at Metro Pictures Gallery

Round the corner into Metro Pictures smaller back gallery and suddenly you’re in the valley of an enormous wave, dwarfed by a ominous black swell that prompts terror even on dry land. The scene is the highlight of Robert Longo’s show of huge, charcoal drawings, a body of work that pictures refugees, CIA prisoners and Ferguson protesting football players in a tour de force of contemporary conflict. (On view in Chelsea through June 17th).

Robert Longo, Untitled (Raft at Sea), triptych; charcoal on mounted paper, 140 x 281 inches overall, 2016-2017.

Leidy Churchman in ‘Sputterances’ at Metro Pictures

Leidy Churchman’s carefully arranged giraffes in the group exhibition ‘Sputterances’ at Metro Pictures categorize nature into manageable options, here, small, medium and large. Titled ‘Free Delivery,’ the painting equates the animals with product consumption, coincidently offering a provocative comment on the huge on-line audience that watched April the giraffe give birth to a calf in an upstate animal park in recent weeks. (In Chelsea through April 22nd).

Leidy Churchman, Free Delivery, oil on linen, 54 x 81 inches, 2017.

Paulina Olowska at Metro Pictures

Polish painter Paulina Olowska’s series of female figures suggest strong personalities; this shadowy character is based on gardener Valerie Finnis, who confessed to having once put plants before people. (At Metro Pictures in Chelsea through Dec 22nd).

Paulina Olowska, The Gardener after Valerie Finnis, oil and acrylic on canvas, 86 5/8 x 70 7/8, 2016.
Paulina Olowska, The Gardener after Valerie Finnis, oil and acrylic on canvas, 86 5/8 x 70 7/8, 2016.