From the 1980s to the present day, Comme des Garcon’s Rei Kawakubo has defied conventional dualities; in this dress – affixed with a giant teddy bear, she merges childhood and adulthood in a riot of frills, flowers and fun. (At the Metropolitan Museum of Art through Sept 4th).
Phones, cameras and iPads outnumber art objects in Hai-Hsin Huang’s mash-up of Metropolitan Museum of Art treasures, ogled by visitors jockeying for snapshots and selfies. In this detail, a massive, 2,300 year old marble column from the Temple of Artemis at Sardis fails to attract much attention, begging the question of a museum’s purpose in today’s photo obsessed culture. (At Danese Corey Gallery in Chelsea through Feb 4th).
British artist Cornelia Parker merges the all-American image of the red barn with the equally iconic exterior of Norman Bates’ house from Hitchcock’s Psycho in her delightfully eerie Roof Garden commission at the Met. Constructed from an old barn and consisting of only two facades, the home invites comparison to the largely vacant 432 Park Ave that dominates the skyline in the background. (At the Metropolitan Museum of Art through Oct 31st).
The colors of Gustav Klimt’s famous portrait of Viennese girl Mada Primavesi (in the Met’s collection) inspired this lush painting by British artist Ian Davenport, seen here in detail. In Klimt’s original, Mada’s slim figure barely stands out against a background of white, lilac and pink color; here, Davenport allows the colors to take over fully. (At Paul Kasmin Gallery through Oct 22nd).
Performers give it their all in one of the best galleries in the Metropolitan Museum of Art’s John Singer Sargent show, focusing on non commissioned (hence less restricted) portraits of friends and colleagues. Here, after meeting musical patron and singer Mabel Batten, Sargent persuaded her to pose for this incredible portrait of singing abandon. (Through Oct 4th).
John Singer Sargent, Mrs George Batten Singing, oil on canvas, 1897.
