Beryl Korot at Bitforms

This 1980 painting on hand-woven linen by video art pioneer Beryl Korot (seen in detail) demonstrates the language she devised, based on the grid of woven cloth.  The text is based on the account of the Tower of Babel in Genesis, an account in which language fragments.  For Korot, Babel offers a chance to consider the ways that language and technology relate to human behavior.  (On view at Bitforms through May 20th).

Beryl Korot, detail of Babel 2, acrylic on hand-woven linen, 72 x 38.75 inches, 1980.

Kay Rosen at Alexander Gray Associates

Often political, never shy, Kay Rosen’s text-based wall art is bold and outspoken at Alexander Gray Associates.  Just four letters speak volumes in this installation titled ‘White House v. America.’  (On view in Chelsea through April 7th). 

Kay Rosen, White House v. America, paint on wall, dimensions variable, 2018.

Richard Artschwager in ‘Sites of Knowledge’ at Jane Lombard Gallery

Richard Artschwager’s two-foot tall wooden exclamation point – which shapes artistic language out of the forms of language itself – adds a note of excitement to Jane Lombard Gallery’s summer group show. (On view in Chelsea through July 28th).

Richard Artschwager, Exclamation Point, wood, 28.5 x 6.5 x 6.5 inches, 1970.

Nadia Haji Omar at Kristen Lorello Gallery

Brooklyn-based, Sri-Lanka raised artist Nadia Haji Omar has found inspiration for her abstract forms in Tamil, Sinhala, Arabic and French letter forms. This untitled dye and acrylic canvas nods to language as much as to natural forms found in the water or under a microscope. (At Kristen Lorello Gallery on the Lower East Side through June 12th).

Nadia Haji Omar, Untitled, acrylic and dye on canvas, 24 x 18 inches, 2016.
Nadia Haji Omar, Untitled, acrylic and dye on canvas, 24 x 18 inches, 2016.

Karl Haendel at Mitchell-Innes and Nash

To what ends will you go for personal improvement? Karl Haendel’s huge, meticulous pencil drawings document a push for personal perfection and accompanying sense of self-worth by yoga practitioners; elsewhere, he draws apes balanced on what look like pieces of modern art. ‘Where does it all start and stop?’ his gorgeously rendered artworks seem to ask. (At Chelsea’s Mitchell-Innes and Nash through Dec 5th).

 Karl Haendel, Radcliffe, pencil on paper with shaped frame, 67 ½ x 89 ½ inches, 2015.