Daniel Gordon in ‘Rose is a Rose is a Rose is a Rose’ at Jack Hanley Gallery

Taking flowers or nature as the theme for a summer group exhibition isn’t particularly original or necessarily avant-garde.  Still, nature’s beauty and uplift as symbol of regeneration is irresistible to audiences and to the curators of ‘A Rose is a Rose is a Rose’ at Jack Hanley Gallery, who apologetically admit that painting flowers is ‘embarrassing.’  This paper sculpture by Daniel Gordon, which recalls still lives throughout art history (think Cezanne and Matisse) and pushes the possibilities of photography as sculpture, suggests that the show’s organizers have nothing to worry about.  (On view on the Lower East Side through August 3rd).

Daniel Gordon, Poppies, Pitcher & Fruits, pigment prints, glue and wire, 41 x 51 x 18 inches, 2018.

Danielle Orchard at Jack Hanley Gallery

Bodies threaten to dissolve into abstract forms in intriguing new paintings of women by young Brooklyn-based artist Danielle Orchard at Jack Hanley Gallery.  Here, a coy figure either hides behind a flower or is about to take it in hand as a microphone.  (On the Lower East Side through March 11th).

Danielle Orchard, Girl with Tulip, oil on canvas, 36 x 24 inches, 2017.

Ruth Root in ‘The Congregation’ at Jack Hanley Gallery

Ruth Root’s untitled abstraction, created on fabric and Plexiglas dominates Jack Hanley Gallery’s group exhibition ‘The Congregation.’ With its unlikely form, as suggestive of a living creature as an eccentric chair, and mix of wonky hand-created forms and slick pattern, it’s hard to settle on one set of meanings for this wonderfully shape-shifting piece. (On the Lower East Side through Oct 9th).

Ruth Root, Untitled, fabric, Plexiglas, enamel paint and spray paint, 116 x 61 inches, 2015.
Ruth Root, Untitled, fabric, Plexiglas, enamel paint and spray paint, 116 x 61 inches, 2015.

Jeff Williams at Jack Hanley Gallery

Brooklyn and Austin-based artist Jeff Williams both makes and unmakes his sculpture, applying muriatic acid and hydrogen peroxide to decay the steel slats of this cutting board, sourced from an artist residency at Skowhegan.  In the background, a giant steel clamp pinches wooden beams in a crushing embrace.  (At Jack Hanley Gallery through Dec 21st).  

Jeff Williams, installation view of NEW/USED/WET/BROKEN at Jack Hanley Gallery, November 2013.