Svenja Deininger, Untitled, oil on canvas, 80 ¼ x 52 inches framed, 2015.
A frenzy of gestural abstraction in the foreground of this
painting by Vermont-based artist Eric Aho crystalizes into a representational
image of a majestic mountain in the far distance, giving the impression that Aho
begins by almost being inside his subject matter…then gradually allows images
to materialize. (At Chelsea’s DC Moore
Gallery through Nov 14th).
Eric Aho, The Mountain, oil on linen, 90 x 80inches, 2014.
Martin Wittfooth, Dawn, oil on canvas, 54 x 120 inches, 2015.
Digital technology allows us to picture everything in amazing detail, so how do you choose your subject matter as a professional photographer? Wolfgang Tillmans answers this question by continuing to zero in on the exceptional and mundane, picturing his day-to-day world (portraits of friends, laundry piles) and international travels in prints both tiny and monumental in a characteristic salon-style hanging which seems to evoke the randomness of life. (At David Zwirner Gallery through Oct 24th).
Wolfgang Tillmans, installation view of ‘New York Installation PCR’ at David Zwirner Gallery, September, 2015.
‘My sculptures speak of life…among spirits,’ says Warsaw-based sculptor Roman Stanczak, whose carefully destroyed bedside table at LES Bureau Gallery suggests a particularly haunted mental state. (Through Oct 25th).
Roman Stanczak, From 2nd to 3rd, wooden cupboard, wood chips, 22.75 x 38 x 39.25 inches, 2015.
