The canvas barely manages to contain an angled view of a screened window by painter Susan Lichtman, reflecting an outdoor scene from her Massachusetts home. With one window panel opening toward viewers, the painting appears to project itself into Steven Harvey Fine Art Project’s narrow gallery space, an arresting and dynamic move that belies an apparently tranquil domestic scene. (On the Lower East Side through July 15th).
Though the central figure of Sedrick Huckaby’s genre-bending painting/sculpture ‘Frederick’s Family’ is surrounded by relatives, their crossed arms and stony looks suggest deep discord. With downcast eyes and drab-colored clothing, Frederick begs the question of what went wrong and how things are to continue. (At Steven Harvey Fine Art Projects on the Lower East Side through April 23rd).
Silhouetted against natural light, the translucent petals of a blossoming flower from the cannonball tree contrast tightly shut pods in the foreground, but each indulges our pleasure in organic forms. Cambodian artist Sopheap Pich’s largest flowering plant sculpture to date sprawls across Tyler Rollins Gallery’s floor in Chelsea, recalling trees planted near Buddhist temples. Though they resemble the sal tree associated with Buddha’s birth, the plants arrived in Southeast Asia from the Americas via Sri Lanka, a reminder of complicated histories. (Through Feb 4th).
Painter Mark Barrow and textile designer Sarah Parke collaborate on painted, hand loomed fabrics that are so labor intensive, they’ll blow your mind. Here, the duo dye fabric, then reweave either the warp or the weft into a different material, thread by thread. (At Elizabeth Dee Gallery through October 24th).
Mark Barrow and Sarah Parke, detail of Reweave 7, hand dyed linen, 19 x 17 inches, 2015.
Cleverly placed near the gallery entrance, late sculptor Louise Kruger’s bulky ‘Standing Dog’ could –for an instant – be mistaken as a real pet tagging along with gallery visitors. Other charmingly odd wood figures stand out amongst work in fabric and metal by an artist who developed her own unique folk/pop artistic language. (At Chelsea’s Lori Bookstein Fine Art through Oct 4th).
Louise Kruger, Standing Dog, pine, 27 x 16 x 38 inches, c. 1970-75.
