David Kennedy Cutler, Michael DeLucia, and David Scanavino at Derek Eller Gallery

David Scanavino’s vibrantly colored institutional floor tiles, Michael DeLucia’s tire images, carved out of MDF by a computer-controlled router, and David Kennedy Cutler’s elongated arm, created with pictures of a real hand, bring together images generated in the computer and realized in three dimensions. (At Chelsea’s Derek Eller Gallery through June 28th).

David Kennedy Cutler, Michael DeLucia, David Scanavino, To Be Titled, plywood and high pressure laminate, injet on cotton sateen and aluminum, tree branch, wood, spray paint, permalac, VCT tile, floor wax, MDF, glue, 2014.

Michele Segre at Derek Eller Gallery

Between a five-foot wide wax mushroom (rear) and a scrappy dream-catcher, strings of yarn suspend dried mushrooms, hinting at psychedelic interpretations for Michele Segre’s intriguingly odd assemblages. (At Derek Eller Gallery in Chelsea through March 15th).

Michele Segre, Self-Reflexive Narcissistic Supernova, metal, yarn, thread, wire, plastic bags, plastic lace, papier-mache, photos, screws, acrylic, modeling clay, wood, beeswax, dried mushrooms, 2013.

Adam Marnie at Derek Eller Gallery

New York artist Adam Marnie presents a mediated flash-back with his solo show at Chelsea’s Derek Eller Gallery by removing the bottom two feet of drywall from the gallery’s walls, recalling the scene after Hurricane Sandy last October. Nearby interlocking cubes recall 60s minimalist ideas about art being a physical experience; but what happens to interpretation if the physical space of the gallery is altered by disaster?  (Through Oct 5th).  

Adam Marnie, Inward Object I, maple, wood putty spray paint, 2013.