Jonathan Monk at Casey Kaplan Gallery

In a move bound to irk art-lovers who want to see hands-on art making, British conceptual artist Jonathan Monk riffed on Jeff Koons’ fabricated rabbit sculpture by copying it, slightly deflated in 2009. Now, he’s presenting a remake of that piece, but he worked from photos rather than actual measurements of the original, suggesting a tiny measure of creativity or freedom from exactitude. (At Chelsea’s Casey Kaplan Gallery through October 18th).

Jonathan Monk, A Copy of Deflated Sculpture No. 1, stainless steel, 40.5 x 23 x 15”, 2014.

Paul Villinski at Morgan Lehman Gallery

Butterflies inspire and energize New York City artist Paul Villinski’s sculptural practice, which includes a self-portrait sculpture that doubles as a butterfly habitat, butterflies crafted from cans, and a purpose-built containment area designed to breed butterflies (pictured here in detail). His latest show at Morgan Lehman in Chelsea features all three projects, collectively showcasing the wonder of this insect. (Through Oct 11th).

Paul Villinski, (detail) Butterfly Machine, mixed media, electric and hydroponic components, plants, butterflies, 2014.

Sol LeWitt’s ‘Wall Drawing #370’ at the Metropolitan Museum of Art

The Metropolitan Museum of Art has installed another winner in its long, narrow 1st floor hallway gallery (extraordinary Peruvian feathered panels lined the walls for the last show). Painted directly on the gallery walls, Sol LeWitt’s Wall Drawing #370 commands the space with its simple and perfectly executed geometric shapes. (Through September 7th).

Sol LeWitt, Wall Drawing #370, installation view in Gallery 399 at The Metropolitan Museum of Art, August, 2014.

Carissa Rodriguez in ‘Displayed’ at Anton Kern Gallery

Traditional Japanese Ikebana becomes art in the hands of New York artist Carissa Rodriguez (who memorably showed a Cartier clock owned by FDR at the Whitney Biennial this spring). In Anton Kern Gallery’s treasure-chest of a summer group exhibition, she saddles this gorgeous arrangement with the title ‘I Will Cook Myself Tomorrow,’ making it a kind of pre-memorial. (In Chelsea through August 22nd).

Center: Carissa Rodriquez, I Will Cook Myself Tomorrow,’ unique seasonal Ikebana arrangement, Sogetsu suiban vessel and custom pedestal, variable dimensions, 2012. To the left: ‘Blue Shelf’ by David Korty. To the right: ‘Vase (prototype) and paper bouquet,’ Marc Camille Chaimowicz.

Jonathan Monk in ‘Never Look Back When Leaving’ at Casey Kaplan Gallery

Working on the model of conceptual artists like On Kawara who famously used the mail to deliver art content, Berlin-based British artist Jonathan Monk devised this weekly letter as an art work in which he tries to guess the name of the mother-in-law of the work’s owner. (At Casey Kaplan Gallery in Chelsea through August 1st).

Jonathan Monk, Guessing your mother-in-law’s name, letter from the artist every Friday until he guesses correctly, 2003.