Belgian photographer Maroesjka Lavigne’s New York solo debut features landscapes half obscured by snow and Icelandic locals who look as if they’re hiding something; here, disturbed water turns a swimmer’s face into a blank mask. (At Robert Mann Gallery in Chelsea through May 17th).
Maroesjka Lavigne, Phantom, Krossneslaug, Westfjords, 2011.
Belgian artist Peter Buggenhout presents a New York audience with two of his well-known ‘Blind Leading the Blind’ sculptures through the 19th of this month in Chelsea. Composed of wrecked industrial or construction materials covered in dust, and appearing to be the remnants of some long-ago disaster, they represent a chaotic but forgotten past. (At Barbara Gladstone Gallery, 21st Street location, through April 19th).
Peter Buggenhout, installation view of ‘Caterpillar Logic II,’ March 2014, Barbara Gladstone Gallery.
