The Haas Brothers at Marianne Boesky Gallery

The Haas Brother’s zany show of comical, beaded sculpture at Chelsea’s Marianne Boesky Gallery announces the duo’s foray into the fine art world.  Having made a hit in the design community for the past decade with otherworldly furnishings, the twins collaborated on the new work with collaborators, Monkeybiz, to present an assortment of odd creatures and eccentric plant-life in a brilliantly painted, eye-popping setting.  (On view through Oct 26th).

Haas Brothers, Green Latifah, glass beads, wire, mixed fiber stuffing, 38 x 36 ½ x 30 ½ inches, 2019.

Jean-Michel Othoniel at Perrotin

Citing Alexander Calder’s mobiles and Felix Gonzalez-Torres’ beaded sculptures as touch-points, Jean-Michel Othoniel presents ‘black tornados’ at Perrotin on the Lower East Side.  Made of aluminium beads threaded onto a steel armature, the glittering twisters reflect light and suggest movement while presenting natural phenomenon as glamorous ornament.  (On view on the Lower East Side through April 15th).

Jean-Michel Othoniel, installation view of ‘Dark Matters’ at Perrotin, March 2018.

Maria Nepomuceno at Sikkema Jenkins & Co

A superabundance of color and curving forms characterize Brazilian artist Maria Nepomuceno’s ‘imaginary nature,’ as she calls her sculpture composed of woven straw, beads, ceramics and resin forms.  With direct links to the human body – beads are cells, straw references skin – the artist’s life affirming constructions celebrate nature in its eye-popping variety. (On view at Sikkema Jenkins and Co in Chelsea through April 7th). 

Maria Nepomuceno, 3 mulheres, beads, braided straw, ropes, ceramics, clay, resin and wood, 180 x 150 x 90 cm, 2017.

Maria Nepomuceno in ‘More Simply Put’ at Sikkema Jenkins & Co

Organic shapes snake around and into a wooden box in this work by Brazilian artist Maria Nepomuceno, suggesting that whatever is inside cannot be contained. A trumpet-like ceramic form introduces the idea of broadcasting sound, offering the possibility that an unheard song might further animate this alluring organism. (At Sikkema Jenkins & Co through June 30th).

Maria Nepomuceno, Untitled, ropes, beads, ceramic, wood, fiberglass and resin, 27.5 x 29.125 x 24.375 inches, 2015.

Felix Gonzalez-Torres at David Zwirner Gallery

Long strands of clear and white plastic beads by late artist Felix Gonzalez-Torres are an austere version of the usually colorful plastic beading hung in homes. Here in the huge, Spartan spaces of David Zwirner Gallery (which marks joint representation of the artist with Andrea Rosen Gallery with this show), the curtain has the sobering effect intended, heightening our awareness of passing from one state to another. (On 20th Street in Chelsea through June 24th).

Felix Gonzalez-Torres, “Untitled” (Chemo), strands of beads and hanging device, dimensions vary with installation, 1991. Glenstone Museum, Potomac, Maryland.