Sam Falls at 303 Gallery

At 41 feet long, Sam Falls’ Untitled (Conception) is a huge recreation of the natural world, dropped into 303 Gallery’s spartan white cube.  Made by laying natural materials (branches, coral, plants) onto canvas, then adding powdered pigments and waiting for moisture in the air to set the colors, Falls’ working technique is akin to making a photogram with objects on light sensitive paper.  The result transports viewers away from the city and into the abundance of nature.  (On view in Chelsea through Oct 20th).

Sam Falls, detail of Untitled (Conception), pigment on canvas, 7ft, 6 in x 41ft, 2018.

Isca Greenfield-Sanders at Ameringer McEnergy Yohe

Vintage color slides are the basis for Isca Greenfield-Sanders’ light infused beach scenes. Impossibly bright, they document a day by the water and suggest sunny memories. (At Ameringer McEnery Yohe in Chelsea through July 1st).

Isca Greenfield-Sanders, Beach (Detail), mixed media oil on canvas, 63 x 63 inches, 2107.

Greg Bogin at Marlborough Gallery

The neon color and curvy, wave-contoured form of Greg Bogin’s shaped canvas ‘Sunny disposition (oasis)’ is a summery-feeling merger of beach culture and minimal abstraction. Like Martin Puryear’s Phrygian cap sculptures which it resembles, it suggests freedom, but more of a sand-between-the-toes variety. (At Marlborough Gallery Chelsea through July 31st).

Greg Bogin, Sunny disposition (oasis), synthetic paint and urethane on canvas, 72 x 73 inches, 2014.

Stanley Lewis at Betty Cuningham Gallery

Whether he’s building up a support from layers of paper or putting down thick strokes of paint, American painter Stanley Lewis constructs heavily considered, highly absorbing scenes from the world around him. (At Betty Cuningham Gallery, now located on the Lower East Side, through October 25th).

Stanley Lewis, (detail from) Boat on the Beach, Lake Chautauqua, oil on canvas, 2013.

Brock Enright in ‘Slip’ at Mitchell-Innes & Nash

Titled ‘Beach,’ these copper leaf covered Doritos by Brooklyn-based artist Brock Enright, along with ‘Night,’ ‘Secret 3,’ and ‘Winter’ up the wall, look like moths or jewelry – fragile emanations of junk food. (At Chelsea’s Mitchell-Innes & Nash through July 25th).

Brock Enright, Beach, Doritos, resin and copper leaf, 2 ¼ x 4 ¾ x 1 inch, 2014.