Lee Bul, ‘The Anatomy of Every Setting Sun’ at Hauser & Wirth Gallery

Once considered the aircraft of the future, gas inflated zeppelins lost their appeal when the Hindenberg went up in flames in 1937.  Lee Bul’s huge zeppelin-like cylinder titled ‘Willing to Be Vulnerable – Metalized Balloon’ at Hauser and Wirth Gallery conjures the appeal and shortcomings of technology with a shiny surface that looks too thin to last.  Doubled by a mirror across one wall, the balloon meets a counterpart that has no substance, existing as reflection only.  Pictured on the mirror, a line of unicyclists with no heads suggest an unstable and potentially disastrous row of actors.  Long interested in utopian ideals and their less-than-perfect outworkings, Bul’s installation invites viewers to occupy a middle ground of attraction and unease.  (On view in Chelsea through Oct 24th).

A large, metallic zeppelin hangs in the middle of a white room with many people looking around at it and the mirror on the wall that features unicyclists.
Lee Bul, installation view of ‘Willing to Be Vulnerable – Metalized Balloon,’ fabric, PET film, air blower, electrical wiring, 118 1/8 x 669 ¼ x 118 1/8 inches, 2015-16/2020.

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