Veronica Ryan, ‘Retrieval’ at Paula Cooper Gallery

Three years after winning Britain’s biggest art prize Veronica Ryan’s evocative, small-scale sculpture invite intimate inspection at Paula Cooper Gallery.  Despite the many accolades that have come her way in recent years, Ryan continues to craft humble, abstract sculptures from a combination of ephemeral and found materials that speak to the memories and associations held by everyday objects.  Titled ‘Retrieval,’ the show includes objects covered in bandages and sacks of Himalayan salt crystals that open conversations about healing.  Pillow-like forms, pincushions and a giant doily speak to the labor and care shown by Ryan’s late mother, who embroidered the family’s pillowcases and made clothing.  Here, two small towers created by stacking pie tins and held together by crocheted wool represent a structure made to house bundles of salt and ceramic seeds, symbols of healing and growth. (On view in Chelsea through Nov 22nd).

Two circular columns of stacked materials inside of two close-fitting orange and a turquoise crocheted sacks.
Veronica Ryan, Totem, pie tins, crochet wool, plaster, thread, Himalayan salt, netting, air-dried clay, acrylic paint, pink totem: 35 x 12 x 9 inches, blue totem: 30 ¼ x 9 ¼ x 9 ¼ inches, 2024-25.
A circular column inside of two crocheted forms, supporting three small sacks.
Veronica Ryan, Totem, pie tins, crochet wool, plaster, thread, Himalayan salt, netting, air-dried clay, acrylic paint, pink totem: 35 x 12 x 9 inches, blue totem: 30 ¼ x 9 ¼ x 9 ¼ inches, 2024-25.

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