Green rubber playground flooring transports visitors into an unexpected perceptual experience in Camille Henrot’s first New York solo show of playfully odd sculpture at Hauser and Wirth Gallery. Marked with a matrix-like grid that’s calming yet at the same time reminiscent of a guillotine paper cutter, the pattern reinforces the artist’s ongoing interest in the structures that organize society. Paintings inspired by etiquette books, sculpture that looks like abacuses (both the kind used as tools and children’s toys) and this group of dogs on leashes offer varied takes on relationships and power relations. (On view in Chelsea through April 12th).