There’s less than a week left to see Marian Goodman Gallery’s huge group exhibition in its new Tribeca location, a beautifully renovated 35,000 square foot industrial building from 1875. Just inside the first room, an iteration of Pierre Huyghe’s ongoing ‘Timekeeper Drill Core’ series involved removing a circular portion of the gallery wall from the old 57th Street location and sanding down a circle at center to reveal the many times the space had been painted in its over forty years uptown. Smartly installed, the show encourages conversations among circular forms in its initial room – Gabriel Orozco’s bike-wheel sculpture and Nairy Baghramian’s cylindrical abstraction are placed near Huyghe’s piece – suggesting that the gallery’s current manifestation is the beginning of a new cycle. (On view through Dec 14th).
