Modeled after El Greco’s ‘The Penitent Mary Magdalene,’ Mary Carlson’s small-scale sculpture of one of Christ’s most devoted followers is both delicate in her tiny features and monumental in her seated, robed body. Now on view at Kerry Schuss Gallery, displayed on wall-mounted wooden shelves amid scrolling copper piping, Carlson’s new sculptures evoke the figures and decorative designs on the pages of medieval manuscripts. Characterized by world-weariness vs El Greco’s doe-eyed young woman, Carlson’s saint is pictured in the process of receiving a revelation and puts a hand to her bare chest. Less erotic than El Greco’s version, Carlson’s Mary is a substantial woman engaged with the life of the mind and spirit. (On view in Tribeca through April 27th).
Mary Carlson, Mary Magdalene (after El Greco), glazed porcelain, wood, copper, 29 x 36 x 8.75 inches, 2024.Mary Carlson, Mary Magdalene (after El Greco), glazed porcelain, wood, copper, 29 x 36 x 8.75 inches, 2024.
Merrily Kerr is an art critic and writer based in New York. For more than 20 years, Merrily has published in international art magazines including Time Out New York, Art on Paper, Flash Art, Art Asia Pacific, Art Review, and Tema Celeste in addition to writing catalogue essays and guest lecturing. Merrily teaches art appreciation at Marymount Manhattan College and has taught for Cooper Union Continuing Education.
For more than a decade Merrily has crafted personalized tours of cultural discovery in New York's galleries and museums for individuals and groups, including corporate tours, collectors, artists, advertising agencies, and student groups from Texas Woman's University, Parsons School of Design, Chicago's Moody Institute, Cooper Union Continuing Education, Hunter College Continuing Education and other institutions. Merrily's tours have been featured in The New York Times, Conde Nast Traveler, Sydney Morning Herald and Philadelphia Magazine.
Merrily is licensed by New York City's Department of Consumer Affairs as a tour guide and is a member of the International Association of Art Critics (AICA USA)
View all posts by Merrily Kerr
