Lucas Samaras in ‘Wild Strawberries’ at 125 Newbury

“I continuously shift my attention to things that bother or frighten me,” Lucas Samaras wrote in a statement from 1966.  These two angled chairs, covered in geometric patterns with yarn and resting on a bed of pins, signal discomfort and precarity despite their attractive colors.  Part of 125 Newbury’s inaugural show in Tribeca, titled ‘Wild Strawberries’ after a surreal and disturbing scene in Ingmar Bergman’s film by the same name, the chairs suggest a threat that’s unclear but palpably present.  (On view through Nov 19th).

Lucas Samaras, Two Chairs, mixed media, 19 x 16 ½ x 21 inches, c. 1970s.

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Merrily Kerr

Merrily Kerr is an art critic and writer based in New York. For more than 20 years, Merrily has published in international art magazines including Time Out New York, Art on Paper, Flash Art, Art Asia Pacific, Art Review, and Tema Celeste in addition to writing catalogue essays and guest lecturing. Merrily teaches art appreciation at Marymount Manhattan College and has taught for Cooper Union Continuing Education. For more than a decade Merrily has crafted personalized tours of cultural discovery in New York's galleries and museums for individuals and groups, including corporate tours, collectors, artists, advertising agencies, and student groups from Texas Woman's University, Parsons School of Design, Chicago's Moody Institute, Cooper Union Continuing Education, Hunter College Continuing Education and other institutions. Merrily's tours have been featured in The New York Times, Conde Nast Traveler, Sydney Morning Herald and Philadelphia Magazine. Merrily is licensed by New York City's Department of Consumer Affairs as a tour guide and is a member of the International Association of Art Critics (AICA USA)