In the darkened space of Hales Gallery’s Chelsea location, Ebony G. Patterson’s ‘night garden’ entices with elaborately cut works on paper and wall-mounted tapestry installations decorated with strings of beads, glitter and other alluring objects. Each features a female figure (here in pink) with missing face or other body parts, a representative of loss who is literally no longer whole herself. Patterson explains that on occasions of mourning, it’s often women who are the public face of their family or community; as such, this central, sequined figure, like the garden around her, represents ‘beauty concealing trauma and violence.’ (On view through June 18th).
