A portrait of a portly businessman paired with a model train engine, a corseted woman with theatrical tassels attached to the sides of her likeness and other drawings of men and women in 19th century dress by Whitfield Lovell at DC Moore Gallery are made more intense and vibrant by their red background. In the new series titled ‘The Reds,’ Lovell continues to pair drawings of individuals with found objects that enhance our understanding of the sitter’s identity. Here, a young man is surrounded by a hovering halo of stars prompting viewers to question how this individual’s identity relates to country. (On view through Dec 18th).
Whitfield Lovell, The Red XIV, conte on paper with attached found objects, 45 ¾ x 34 inches, 2021.
Merrily Kerr is an art critic and writer based in New York. For more than 20 years, Merrily has published in international art magazines including Time Out New York, Art on Paper, Flash Art, Art Asia Pacific, Art Review, and Tema Celeste in addition to writing catalogue essays and guest lecturing. Merrily teaches art appreciation at Marymount Manhattan College and has taught for Cooper Union Continuing Education.
For more than a decade Merrily has crafted personalized tours of cultural discovery in New York's galleries and museums for individuals and groups, including corporate tours, collectors, artists, advertising agencies, and student groups from Texas Woman's University, Parsons School of Design, Chicago's Moody Institute, Cooper Union Continuing Education, Hunter College Continuing Education and other institutions. Merrily's tours have been featured in The New York Times, Conde Nast Traveler, Sydney Morning Herald and Philadelphia Magazine.
Merrily is licensed by New York City's Department of Consumer Affairs as a tour guide and is a member of the International Association of Art Critics (AICA USA)
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