Sydney Vernon in ‘Black Femme: Sovereign of WAP and the Virtual Realm’ at Canada Gallery

Pretty in pink but commanding her space, the subject of this portrait by Sydney Vernon at Canada Gallery is full of life.  Along with an accompanying video the mixed media portrait is actually a memorial to a family matriarch, ‘a tender reflection on familial love and loss.’  A pelvic x-ray to the left, a photo of two children on the right along with living spaces and artwork suggest episodes from a life while writing on the column to the left offers sage advice including ‘beauty is only skin deep.’ (On view in Tribeca through April 10th.  Masks and social distancing is required and occupancy is limited).

Sydney Vernon, Tying Loose Ends, pastel, charcoal, acrylic and collage on paper, 52 x 46 inches, 2020.

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Merrily Kerr

Merrily Kerr is an art critic and writer based in New York. For more than 20 years, Merrily has published in international art magazines including Time Out New York, Art on Paper, Flash Art, Art Asia Pacific, Art Review, and Tema Celeste in addition to writing catalogue essays and guest lecturing. Merrily teaches art appreciation at Marymount Manhattan College and has taught for Cooper Union Continuing Education. For more than a decade Merrily has crafted personalized tours of cultural discovery in New York's galleries and museums for individuals and groups, including corporate tours, collectors, artists, advertising agencies, and student groups from Texas Woman's University, Parsons School of Design, Chicago's Moody Institute, Cooper Union Continuing Education, Hunter College Continuing Education and other institutions. Merrily's tours have been featured in The New York Times, Conde Nast Traveler, Sydney Morning Herald and Philadelphia Magazine. Merrily is licensed by New York City's Department of Consumer Affairs as a tour guide and is a member of the International Association of Art Critics (AICA USA)