Zanele Muholi and Morgan Mahape in ‘African Spirits’ at Yossi Milo Gallery

Zanele Muholi’s ‘Somnyama Ngonyama’ (Hail the Dark Lioness) photo series features the South African activist and artist modeling dramatic outfits that on closer inspection turn out to be composed of everyday household items.  Muholi’s source image for this beaded panel created with fellow South African artist Morgan Mahape involved a headdress crafted from donut-shaped scouring pads, an important detail that’s less apparent here.  Muholi’s softer look and averted gaze are less confrontational than the series’ other powerful images but the piece reads as a tribute to an artist who uses her own body to challenge perceptions and prompt reflection.  (On view in ‘African Spirits’ at Yossi Milo Gallery through August 23rd).

Zanele Muholi and Morgan Mahape, Somnyama Ngonyama, beads on string, wooden panel, approximately 84 x 60 inches, 2019.

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Merrily Kerr

Merrily Kerr is an art critic and writer based in New York. For more than 20 years, Merrily has published in international art magazines including Time Out New York, Art on Paper, Flash Art, Art Asia Pacific, Art Review, and Tema Celeste in addition to writing catalogue essays and guest lecturing. Merrily teaches art appreciation at Marymount Manhattan College and has taught for Cooper Union Continuing Education. For more than a decade Merrily has crafted personalized tours of cultural discovery in New York's galleries and museums for individuals and groups, including corporate tours, collectors, artists, advertising agencies, and student groups from Texas Woman's University, Parsons School of Design, Chicago's Moody Institute, Cooper Union Continuing Education, Hunter College Continuing Education and other institutions. Merrily's tours have been featured in The New York Times, Conde Nast Traveler, Sydney Morning Herald and Philadelphia Magazine. Merrily is licensed by New York City's Department of Consumer Affairs as a tour guide and is a member of the International Association of Art Critics (AICA USA)