Addis Ababa-based artist Elias Sime continues to turn discarded electronics into compositions that can suggest aerial maps or abstracted landscapes in his latest show at Chelsea’s James Cohan Gallery. Computers made in China, sold in the US and discarded in Ethiopia make their way into artworks that implicitly question resource distribution and rampant consumption. (On view through June 29th.)
Elias Sime, detail of Tightrope: Noiseless 18, reclaimed electrical wires and components on panel, 100 ¼ x 63 ¼ inches, 2019.
Merrily Kerr is an art critic and writer based in New York. For more than 20 years, Merrily has published in international art magazines including Time Out New York, Art on Paper, Flash Art, Art Asia Pacific, Art Review, and Tema Celeste in addition to writing catalogue essays and guest lecturing. Merrily teaches art appreciation at Marymount Manhattan College and has taught for Cooper Union Continuing Education.
For more than a decade Merrily has crafted personalized tours of cultural discovery in New York's galleries and museums for individuals and groups, including corporate tours, collectors, artists, advertising agencies, and student groups from Texas Woman's University, Parsons School of Design, Chicago's Moody Institute, Cooper Union Continuing Education, Hunter College Continuing Education and other institutions. Merrily's tours have been featured in The New York Times, Conde Nast Traveler, Sydney Morning Herald and Philadelphia Magazine.
Merrily is licensed by New York City's Department of Consumer Affairs as a tour guide and is a member of the International Association of Art Critics (AICA USA)
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