17th century Dutch still life painters delighted in the effect of light hitting rich fabric or shiny glass; contemporary Brooklyn artist Matthew Hansel is into optical delights of a different sort as he mimics digital distortion in oil and flashe paint. Included in The Hole’s continuing investigation of how digital techniques have impacted non-digitally created art, this shaped painting throws a little fun-house mirror effect into a traditional momento mori. (On view on the Lower East Side through May 19th).
