Jeanette Mundt’s vivid red poppies look anything but innocent in this painting, testifying to the power of the plant as a drug. Painted from an on-line source, inspired by Van Gogh’s poppies and including a hidden image of a reclining woman, this rich and seductive image speaks to the possibility of multiple sources to reconfigure as a meaningful image. (On view in ‘The Rest’ at Lisson Gallery through Feb 16th).
Jeanette Mundt, Heroin, oil on linen, 40 x 36 inches, 2018.
Merrily Kerr is an art critic and writer based in New York. For more than 20 years, Merrily has published in international art magazines including Time Out New York, Art on Paper, Flash Art, Art Asia Pacific, Art Review, and Tema Celeste in addition to writing catalogue essays and guest lecturing. Merrily teaches art appreciation at Marymount Manhattan College and has taught for Cooper Union Continuing Education.
For more than a decade Merrily has crafted personalized tours of cultural discovery in New York's galleries and museums for individuals and groups, including corporate tours, collectors, artists, advertising agencies, and student groups from Texas Woman's University, Parsons School of Design, Chicago's Moody Institute, Cooper Union Continuing Education, Hunter College Continuing Education and other institutions. Merrily's tours have been featured in The New York Times, Conde Nast Traveler, Sydney Morning Herald and Philadelphia Magazine.
Merrily is licensed by New York City's Department of Consumer Affairs as a tour guide and is a member of the International Association of Art Critics (AICA USA)
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