Jorge Mendez Blake in ‘Borders’ at James Cohan Gallery

Borders are front and center in U.S. politics and at James Cohan Gallery where Jorge Mendez Blake’s ‘Amerika’ bisects the main exhibition space, arresting both visitors’ thoughts and physical progress through the show.  Mid-way along the base of the wall, Mendez Blake has placed a copy of Kafka’s ‘Amerika,’ the troubled tale of a European immigrant to New York, intimating that migration is a fraught undertaking from start to finish.  (On view at James Cohan Gallery’s Chelsea and Lower East Side spaces through Feb 23rd).

Jorge Mendez Blake, Amerika, bricks, edition of ’Amerika’ by Franz Kafka, 72 7/8 x 11 7/8 x 400 inches, 2019.

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Merrily Kerr

Merrily Kerr is an art critic and writer based in New York. For more than 20 years, Merrily has published in international art magazines including Time Out New York, Art on Paper, Flash Art, Art Asia Pacific, Art Review, and Tema Celeste in addition to writing catalogue essays and guest lecturing. Merrily teaches art appreciation at Marymount Manhattan College and has taught for Cooper Union Continuing Education. For more than a decade Merrily has crafted personalized tours of cultural discovery in New York's galleries and museums for individuals and groups, including corporate tours, collectors, artists, advertising agencies, and student groups from Texas Woman's University, Parsons School of Design, Chicago's Moody Institute, Cooper Union Continuing Education, Hunter College Continuing Education and other institutions. Merrily's tours have been featured in The New York Times, Conde Nast Traveler, Sydney Morning Herald and Philadelphia Magazine. Merrily is licensed by New York City's Department of Consumer Affairs as a tour guide and is a member of the International Association of Art Critics (AICA USA)