Southern Indian sculptor Ranjani Shettar’s concern for threatened rural Indian ecosystems informed her dramatic mezzanine installation at the Metropolitan Museum of Art, ‘Seven ponds and a few raindrops.’ Crafted from organic muslin and bound to a welded and molded steel base with tamarind paste, the piece’s floating organic shapes conjure 3-D scientific models, intricate plant life or alien life. (On view on the Upper East Side through Sept 16th).
Ranjani Shettar, detail installation view of ‘Seven ponds and a few raindrops’ at the Metropolitan Museum of Art, July 2018.
Merrily Kerr is an art critic and writer based in New York. For more than 20 years, Merrily has published in international art magazines including Time Out New York, Art on Paper, Flash Art, Art Asia Pacific, Art Review, and Tema Celeste in addition to writing catalogue essays and guest lecturing. Merrily teaches art appreciation at Marymount Manhattan College and has taught for Cooper Union Continuing Education.
For more than a decade Merrily has crafted personalized tours of cultural discovery in New York's galleries and museums for individuals and groups, including corporate tours, collectors, artists, advertising agencies, and student groups from Texas Woman's University, Parsons School of Design, Chicago's Moody Institute, Cooper Union Continuing Education, Hunter College Continuing Education and other institutions. Merrily's tours have been featured in The New York Times, Conde Nast Traveler, Sydney Morning Herald and Philadelphia Magazine.
Merrily is licensed by New York City's Department of Consumer Affairs as a tour guide and is a member of the International Association of Art Critics (AICA USA)
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