British artist Matthew Stone’s stunning merger of virtual and real (as played out on canvas) was a standout in The Hole NYC’s past ‘Post Analogue Painting’ shows, in which artists demonstrated how digital tools have altered the way they conceive of painting’s possibilities. In his latest work, Stone introduces a maelstrom of bodies, half-formed by a vocabulary of brushstrokes that he first paints on glass, photographs, then digitally models into not-quite-classic nudes. (On view on the Lower East Side through June 24th).
