Black canvases, some formerly used as studio rags, hang from wires in David Zwirner Gallery’s Chelsea space in Oscar Murillo’s new installation, dividing the gallery into sections like a make-shift field hospital. Even more ominous are sculptures inspired by morgue tables and a huge torn canvas featuring a bank note. Both are a far cry from the artist’s last show – for which he created a chocolate factory in the gallery. (Through Oct 22nd).
