David Zwirner Gallery’s normally pristine white walls look as though they’ve been damaged by scraping; a closer look reveals that black markings are text fragments, printed onto posters that cover the walls of Michael Riedel’s latest solo show. Known for recycling text and image from his previous shows, Riedel takes the metaphor a step further by picturing animated dinosaur skeletons, creatures whose lives have been extended, in a sense, by being exhumed and put into the public realm again. (In Chelsea through March 25th).
Michael Riedel, Untitled (Art Material_Oviraptor), archival inkjet print mounted to aluminum honeycomb, vinyl, 99 1/8 x 113 1/8 x 1 5/8 inches (framed), 2015.
Merrily Kerr is an art critic and writer based in New York. For more than 20 years, Merrily has published in international art magazines including Time Out New York, Art on Paper, Flash Art, Art Asia Pacific, Art Review, and Tema Celeste in addition to writing catalogue essays and guest lecturing. Merrily teaches art appreciation at Marymount Manhattan College and has taught for Cooper Union Continuing Education.
For more than a decade Merrily has crafted personalized tours of cultural discovery in New York's galleries and museums for individuals and groups, including corporate tours, collectors, artists, advertising agencies, and student groups from Texas Woman's University, Parsons School of Design, Chicago's Moody Institute, Cooper Union Continuing Education, Hunter College Continuing Education and other institutions. Merrily's tours have been featured in The New York Times, Conde Nast Traveler, Sydney Morning Herald and Philadelphia Magazine.
Merrily is licensed by New York City's Department of Consumer Affairs as a tour guide and is a member of the International Association of Art Critics (AICA USA)
View all posts by Merrily Kerr
