Mass groups of nude men and women, pawns in a larger social design, populate European-American artist Irving Norman’s work from the late 60s to 80s, now on view at Michael Rosenfeld Gallery. Here, futuristic planes packed with passengers shoot out polluting smoke as they blast ominously forward. (In Chelsea through October 25th).
Irving Norman, Airport, oil on canvas, 92 x 119 ¾ inches, 1972.