Trinidad-born artist Romy Scheroder explains that she was thinking of the strictures of colonial culture (wood) vs adaptation by the population (rubber bands) in her sculpture Skin (seen here in the background). Despite the serious subtext, two mirrored chairs delight in the foreground with a joyful dance. (At the Museo del Barrio through September 6th).
Romy Scheroder, Mirror, Mirror, found chairs, 2014.