Ghostly white fiberglass figures representing migrant workers in Tiananmen Square make roosts for flapping doves in Beijing artist Zhang Dali’s exhibition at Chelsea’s KleinSun Gallery. Despite the dove as symbol of hope, the figures are washed of color and identity, bespeaking drab anonymity. (Through August 30th).
Zhang Dali, installation view of ‘Square’ at Klein Sun Gallery, June, 2014. Fiberglass and baking varnish.
