Meg Webster, Polished Stainless Steel for Reflecting Outstretched Arms, mirror-polished stainless steel, 2012.
Meg Webster’s aesthetic is minimal but rife with references to the natural world. Her current show at Chelsea’s Paula Cooper Gallery includes paper covered with egg of free-range chickens and a sand bed from 1982/2012, which she originally brought into her studio from the beach. Both are reflected in this cross-shaped sculpture designed to reflect outstretched arms. (Through Feb 9th).
Merrily Kerr is an art critic and writer based in New York. For more than 20 years, Merrily has published in international art magazines including Time Out New York, Art on Paper, Flash Art, Art Asia Pacific, Art Review, and Tema Celeste in addition to writing catalogue essays and guest lecturing. Merrily teaches art appreciation at Marymount Manhattan College and has taught for Cooper Union Continuing Education.
For more than a decade Merrily has crafted personalized tours of cultural discovery in New York's galleries and museums for individuals and groups, including corporate tours, collectors, artists, advertising agencies, and student groups from Texas Woman's University, Parsons School of Design, Chicago's Moody Institute, Cooper Union Continuing Education, Hunter College Continuing Education and other institutions. Merrily's tours have been featured in The New York Times, Conde Nast Traveler, Sydney Morning Herald and Philadelphia Magazine.
Merrily is licensed by New York City's Department of Consumer Affairs as a tour guide and is a member of the International Association of Art Critics (AICA USA)
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