Photographer Lee Friedlander returns to his roots by shooting reflective store windows with a 35mm camera in his latest series, titled ‘Mannequin.’ Here, a building’s façade tries to impose its grid on a Dolly-Parton-haired good-time girl while a curtain and rod at the top complicates ideas of public and private space. (At Pace/MacGill Gallery, 57th Street through Dec 22nd).