Sandro Rodorigo in ‘Artists Guarding Artists’ at Family Business

Sandro Rodorigo, Sandro at Work:  The Great Self-Portrait, oil on masonite, 2009.
Sandro Rodorigo, Sandro at Work: The Great Self-Portrait, oil on masonite, 2009.

Over years of avid art viewing, particular museum security guards have become as familiar to me as the art they guard though we’ve never exchanged words.  ‘Artists Guarding Artists’ a group show at Family Business breaks the silence with work by artists who work as guards at the city’s major museums, from the Met to the New Museum.  Next time I go to the Guggenheim, I’ll be looking for Sandro Rodorigo to congratulate him on his tongue-in-cheek, self-aggrandizing ‘Sandro at Work: The Great Self-Portrait.’  Though it’s a small painting, it perfectly pillories art world hierarchies of importance that don’t favor guards.  (Through August 17th).

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Merrily Kerr

Merrily Kerr is an art critic and writer based in New York. For more than 20 years, Merrily has published in international art magazines including Time Out New York, Art on Paper, Flash Art, Art Asia Pacific, Art Review, and Tema Celeste in addition to writing catalogue essays and guest lecturing. Merrily teaches art appreciation at Marymount Manhattan College and has taught for Cooper Union Continuing Education. For more than a decade Merrily has crafted personalized tours of cultural discovery in New York's galleries and museums for individuals and groups, including corporate tours, collectors, artists, advertising agencies, and student groups from Texas Woman's University, Parsons School of Design, Chicago's Moody Institute, Cooper Union Continuing Education, Hunter College Continuing Education and other institutions. Merrily's tours have been featured in The New York Times, Conde Nast Traveler, Sydney Morning Herald and Philadelphia Magazine. Merrily is licensed by New York City's Department of Consumer Affairs as a tour guide and is a member of the International Association of Art Critics (AICA USA)